The principles within the Arts and Crafts Movement can be seen as:
1. A desire for unity of the arts.
As Walter Crane said, "We must turn our artists into craftsmen and our craftsmen into artists"
There is no hierarchy within art and design, we are all important and so should collaborate.
You start seeing artisans working together. Such as the architect Edwin Lutyens and garden designer Gertrude Jekyll
2. Designers should have sound knowledge of materials, techniques and processes. They
will access this through education. Art schools were established across
industrial cities in the early 1800s. Attendees would normally take
classes at night, taking back their learned skills to the workplace the
following morning, taking us back to a desire for unity within the arts. Guilds were also established during this time: Artworkers Guild, New Century Guild, Guild of Handicraft. These are all still highly subscribed to today.
Hestercombe Gardens, Somerset |
3. Handmade vs Machine Made. Handmade
gives the object an assumed higher quality. It is individual, it is
worth its price tag. But by using machines for commercial purpose, we
can keep costs down. Pugin argued that we shouldn't "use machines just for the sake of it" and Voysey in his essay Ideas and Things says much of the same.
Holly Mount Chair, C F Voysey, 1898
common of Voysey's style, the heart and bird motifs, his signature |
4. Processes should be carried out by one person creating less of a distinction between designers and makers
5. Good Craftsmanship
6. Function of both object and decoration, should take into account who you are designing for. Each generation has its own needs and requirements. There was a keen interest into the health and welfare of workers at this time. As Voysey said (1911):
'In offices for servants' use, let them be cheerful and not shabby and dark, as if it did not matter how your treated servants because you were paying for their services. Some day men will be ashamed to do ugly things and cheap and nasty treatment of servants will be regarded as dishonouring to the master.'
(Davey, 1990)
6. Function of both object and decoration, should take into account who you are designing for. Each generation has its own needs and requirements. There was a keen interest into the health and welfare of workers at this time. As Voysey said (1911):
'In offices for servants' use, let them be cheerful and not shabby and dark, as if it did not matter how your treated servants because you were paying for their services. Some day men will be ashamed to do ugly things and cheap and nasty treatment of servants will be regarded as dishonouring to the master.'
(Davey, 1990)
Glasgow School of Art, C R Mackintosh 1897-1909 |
7. Simplicity in Decoration to
know when to stop adding decoration is when you are a good designer!
Look again to Voysey, and more recently to Dieter Rams, Le Corbusier,
and The Bauhaus
'Simplicity in decoration is one of the most essential qualities without which no true richness is possible. To know when to stop and what not to do is a long way on the road to being a great decorator.'
Voysey, British Architect 1911 (Davey, 1990)
'Simplicity in decoration is one of the most essential qualities without which no true richness is possible. To know when to stop and what not to do is a long way on the road to being a great decorator.'
Voysey, British Architect 1911 (Davey, 1990)
8. Respect for the nature of materials used.
Electroplated Nickel Silver (EPNS) starts being used in 1880. Look specifically at the work of Christopher Dresser for Hukin & Heath
Electroplated Nickel Silver (EPNS) starts being used in 1880. Look specifically at the work of Christopher Dresser for Hukin & Heath
'Knowledge Is Power' (His logo) |
Tureen, Cover and Ladel, Christopher Dreser, 1880 |
9. Inspiration from nature and exploring locality. Rooms and furniture become full of light, as if engaging with nature. The National Trust is founded (and its motif is an oak leaf!) Look to Voysey and Broad Leys, Windermere; Gimson at Pinbury Park and the metal worker C R Ashbee - heavily influenced by nature.
Broad Leys, Windermere, C F A Voysey, 1898 |
Guild of Handicraft Bird Brooch, C R Asbee, 1900 |
Liberty's
is established 1875. Bing's in 1871. Morris & Co also establish and
introduce the concept of mail order. There is a new breed of customer,
women have more disposable income, the spaces of retail become a place
to both shop and meet. (In a more contemporary assessment of this look
to Ray Oldenberg in A Great Good Place.)
Wallpapered store front |
The paper tax
is lifted in 1840 making it affordable to printand post and
advertise...Posters became more popular and books, magazines and
newspapers are much more common. Private Presses become established. Look to Morris and the Kelmscott Press for highly decorated prints.
Children's Books become popular. Look to Kate Greenaway and Walter Crane. Notice the clothing is simple and Pre-Raphelite.
The Works of Geoffrey Chaucer, Kelmscott Press, William Morris, 1890s |
The Pied Piper, Kate Greenaway |
Walter Crane, Danae at Sea |
Walter Crane, a toy book, 1874 |
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