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Sunday, 13 November 2011

Printmaking

My second project of the term! Yipee!!

The Brief:

Surface is applicable to all areas but in its own right it can provide dynamic opportunities; to explore scale, illusion and media application.

This element will provide an introduction to a whole range of hand printing/drawing onto paper and fabric through a commitment to personal graphic skills and media applications. It is therefore essential to develop and utilise personal original visual research in your sketchbook from a theme of your choice as an inspirational basis for the transition and development of ideas. You will be encouraged to fully explore and record these on a whole range of papers and/or fabrics, utilising inherent qualities of weight and surface to best effect by establishing colour palettes and an understanding of scale, format and composition.

I already had some sketches where I was looking at people and movement. I thought these might be interesting to play around with, especially considering the overlay element with print.

Saturday shopping street scene, Cheltenham
shopping centre, Cheltenham. Sketching from a mezzanine
arboretum, Cheltenham, isolated study sketches
arboretum, Cheltenham, leaves and bikes
isolated study, man throwing ball
Inspired by my older sketches, I took myself over to the castle and spent a day sketching around the grounds...

 christmas lights around the bandstand
bulbous trees and bronze statue
more trees with christmas lights
quick tree root sketch and helmet from inside the decorative arts display
my two favourite Islamic pieces from inside the decorative arts display
another quick tree sketch before I left

Life Drawing

My life drawing sessions from this week 

5 minute warm ups, 'ok' proportions on the left...arms could do with more work
and try to complete a bit more of face next time
20 minutes...a bit lob sided and his beard kept throwing me off on the size of the head!
20 minutes, feet problems..
20 minutes... head problems!!
20 minutes...with a very tiny head!?
20 minutes and still struggling with the head!
I only had my A4 sketchbook with me on Wednesday. Thought it would be good to try out my expressive strokes on a smaller scale! I struggled fitting it in on a couple but overall quite pleased the session's efforts!

5 minute warm ups
5 minute and 20 minute...struggling with bum but head good!
20 minutes + hand study...gravity/perspective 'ok' on the right, not overwhelmed by left..
25 minutes..not bad but having problems with that foot!

Collograph Printing

We started our print project with two plate collographs. First we isolated an image from our sketchbooks.
I chose this image of the bulbous tree (left)
Then we transfered the image onto pale coloured mount card using tracing paper. Sliced into it with a scalpel and applied various surface and textured papers by act of collage and PVA wood glue. Once dry this was then sealed with furniture polish.

background plate (left) with PVA body and peeled backing.
foreground plate (right) with applied texture/surface including wallpaper, tissue paper, sandpaper and corrugated card
wetting the paper ready for print
applying inks to the plates, then rubbing off the excess with scrim
setting your plate, ready for pressing. Newsprint down first, plate facing ink up!
applying blotted sheet to face of plate
now more newsprint (to protect the surface of the blanket)
blanket on top
then its roll roll roll roll roll...
until your first print is just free of the roller.
Apply second/foreground plate using the marking left by first print on the newsprint
then roll roll roll roll it back again!

Sunday, 6 November 2011

Lustre 2011

I went along to Lustre today and saw some very beautiful and inspiring things!


Carly Dodsley caught my eye with her lovely 50s inspired ceramics. 

I even bought this set of glass tumblers from her!
Suet Yi Yip (ex NTU Decorative Arts student!!!) had some beautiful and delicate illustrations across her range of terracotta plates.  I really loved the subject of children and storytelling in her work.

dappledsky
Steve Handley's upcycled furniture was brilliant! This is just what we need to be doing with all our old chopping boards and burnt out spoons!

I loved Ellie Evans and her ephemeral textile 'keepsakes' 

kickcanandconkers
On a similar vien, Clare Hillerby had some jewellery and collage that combines metal work with ephemera and features handwriting..


Hayley Dexter had some wonderful designs across her ceramics and prints range...Very inspiring for my upcoming print project! 
all images: keramiknotebook


really like the composition on this one!






I liked the bark vessels of Jane Bevan

sustainable, organic and interesting formations

I loved the techniques used by Nicola Lidstone to create her folklore-inspired ceramic sculptures



Kate McBride's 'collaged ceramics' are not particularly my obvious taste but I like the honesty of construction in the crude nature of the seam lines in her work

Pink Confection
Similarly, Maggie Withington's ceramics aren't really my taste, but the humourous subjects and play on words remind me of Simon Drew and there is something sort of nostalgic and appealing about the kitsch-like figures she has used to create her work

Pope-purr-i 

Craig Fellows interior and fashion textiles were bold exciting

madebyhandonline
I liked  Tamasyn Gambell's deco inspired stationery
notebooks

 I found Katie Heeks miniature gardens, made from laser-cut plywood 
and vintage textiles, playful and exciting

rainforest garden
 It was great to see Hannah Lobley's work. I'm very inspired by her use of material (books and paper) and process (wood turning!)

bricks
I love Katrin Moye's ceramics too! The vintage/folkloric-like patterns are so pleasing and "I want" worthy!

dandelion cake stand
I also really liked Rebecca Wilson's light spill ceramic wall lamps


All in all it was very inspiring visit!